Nyt supersuosittu malli myös USB:llä!
StudioLive sopii kuin valettu kaikille, jotka miksaavat konsertteja ja klubikeikkoja, mutta yhtälailla se on loistovalinta studioäänitykseen ja miksaukseen. Ja useinhan audiotyöläisen toimenkuva kattaa molemmat! StudioLive 16.0.2 on kompakti versio 12 kanavalla, joista 4 on stereokanavia!
• 12 tuloa, joista 4 stereo line
• 4 AUX:ia
• 12 Class A XMAX -mikrofonietuastetta
• 16x16 USB-interface
• 31-alueinen graafinen stereo-EQ master-lähdössä
• Fat Channel Select (High Pass-filtteri, kompressori, limitteri, gate, 3-alueinen puoliparametrinen EQ)
• 2 Master DSP -efektiä (reverb, delay, aikapohjaiset efektit tallennuksella)
• Talkback
• Mukana monikanavainen äänityssofta CAPTURE
- High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
- Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
- Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
Microphone Preamp |
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Type | XLR Female, Balanced |
Frequency Response to Direct Output (at unity gain) | 20 Hz-40 kHz, 0 / -0.5 dBu |
Frequency Response to Main Output (at unity gain) | 20 Hz-20 kHz, ±0.5 dBu |
Input Impedance (Balanced) | 1 kΩ |
THD to Direct Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd |
THD to Main Output (1 kHz at unity gain) | 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
EIN to Direct Output | +125 dB unwtd, +130 dB A-wtd |
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -97 dB |
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | -94 dB |
Common Mode Rejection Ratio (1 kHz at unity gain) | +65 dB |
Gain Control Range (± 1 dB) | -16 dB to +67 dB |
Maximum Input Level (unity gain) | +16 dBu |
Phantom Power (± 2 VDC) | +48 VDC |
Line Inputs, Balanced |
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Type | ¼" TRS Female, balanced mono |
Frequency Response to Direct Outputs (at unity gain) | 10 Hz-40 kHz, 0 / -0.5 dBu |
Frequency Response to Main Outputs (at unity gain) | 20 Hz-20 kHz, 0/-0.5 dBu |
Input Impedance | 10 kΩ |
THD to Direct Output (1 kHz at unity gain) | <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
THD to Main Output (1 kHz at unity gain) | <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd |
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -105 dB |
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) | -94 dB |
Gain Control Range (± 1 dB) | -20 dB to +20 dB |
Maximum Input level (unity gain) | +22 dBu |
Line Inputs, Unbalanced |
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Type | RCA Female, unbalanced (stereo pair) |
Maximum Input Level | +22 dBu |
Main Outputs |
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Type | XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair) |
Rated Output Level | +24 dBu |
Output Impedance | 100Ω |
Aux Outputs |
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Type | ¼” TRS Female, balanced (mono) |
Rated Output Level | +18 dBu |
Output Impedance | 100Ω |
Monitor Outputs |
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Type | ¼” TRS Female, balanced (stereo pair) |
Rated Output Level z | +18 dBu |
Output Impedance | 100Ω |
System Crosstalk |
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Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -90 dBu |
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) | -87 dBu |
Noise Gate (Expander) |
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Threshold Range | -84 dB to 0 dB |
Attack Time | Adaptive (0.2 - 2.5 ms) |
Release Time | 70 ms |
Expander Attenuation Range | 2:1 |
Compressor |
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Threshold Range | -56 dB to 0 dB |
Ratio | 1:1 to 14:1 |
Response Time (Attack/Release | 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”) |
Auto Attack and Release | Attack = 10 ms, Release = 150 ms |
Curve Types | hard and soft knee |
EQ |
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