Tuotetiedot

Ensimmäinen Edellinen Tuote 9 / 12 Seuraava Viimeinen
Tuoteryhmä: Hammond-urut

3,675.00eur

Hammond XK-5


Mikäli haluat kevyemmän keikkaurun tinkimättä pisaraakaan Hammond-soundista, on XK-5 pakko-ostos!

Tämä uusi huippuominaisuuksilla varusteltu Hammond on monella tapaa jopa parempi kuin alkuperäinen.

 

Aito putki-etuaste: Kahdella eri putkella (12AX7 ja 12AU7) varustettu etuaste takaa rouhean ja paksun särön myös hiljaa soitettaessa. Särö on erittäin musikaalinen ja helposti säädettävissä. Jopa putkien järjestystä voi muuttaa särön luonteeseen vaikuttaen.
 

Uusittu MTW1 soundigeneraattori: Täyden polyfonian avulla luodut 96 kpl virtuaalista, jatkuvasti "pyörivää äänipyörää" sisältävä soundigeneraattori tarjoaa soittajalleen aivan alkuperäistä soundia vastavaan soittokokemuksen. Tämä generaattori on täysin huoltovapaa eikä tarvitse öljyämistä vanhan tapaan.

Waterfall-koskettimisto: Loistavan waterfall-koskettimiston erikoisuus perustuu siihen, että jokainen sen yhdeksästä äänikerrasta syttyy soimaan yksilöllisesti. Kun siis painaa kosketinta hitaasti, niin huomaa, että äänikerrat syttyvät hieman eri aikaan, kuten vanhoissa Hammondeissa. Mekaanisesti kosketuskontakti on toteutettu kolmella eri kontaktilla per kosketin ja loput hoituu virtuaalisesti satunnaisgeneraattorin tuottamina.

Digital Leslie: Täysin uusittu lesliemallinnus on ylivoimaisesti paras markkinoilla oleva lesliesimulaattori. Soittimen stereo-ulostulosta kaiuttimiin kytkettäessä soundi on todella lähellä aitoa Leslie-kaiutinta. Tämän ominaisuuden avulla voit nauttia erittäin aidosta soundista myös paikassa jossa ei aitoa Leslietä ole. Urun stereoulostulot R / L toimivat myös silloin, kun Leslie on kytkettynä, joten saat käytettyä isoissa paikoissa molempia yhtäaikaisesti tarpeen mukaan. Nopeus fast/slow toimii synkassa sekä Leliessä, että simulaattorissa.

Dynaamiset midi-ominaisuudet: Soittimessa on kolme mekaanista midi-kontaktia joka koskettimessa ja se voi näin ollen lähettää kolmella eri midikanavalla olevaa dataa samaan aikaan. Näin saat urustasi loistavan masterkeyboardin. 100 käyttäjä-muistipaikkaa, johon jokaiseen saat taltioiduksi Upper 1,2,3 -Lower 1,2,3 sekä Jalkio-osalle omat, yksilölliset midi-asetukset. Valittavia säätöjä mm. volume, panorointi, kaiun määrä, soundinumero, zonealue, splitpoint, start/stop käskyt jne. Täten käsissäsi onkin yhteensä satoja eri midi-asetuksia erittäin helposti ja nopeasti käytettävissä.

4 Liukutankoryhmää: Liukutanko-äänikertaohjaimien lisäksi myös mustat (preset 11x12 pankkia) koskettimet löytyvät nopeaan soundipresettien vaihtoon.  Transponointi ja vibratoscanneri erikseen valittavissa ylä. ja alamanuaalille.

 

Kaikki asetukset myös helposti tallennettavissa muistitikulle!

Suomenkielinen käyttäjätuki sekä 3 vuoden takuu kaikille Hammondin tuotteille.

 

"Vaikka vanhoissakin Hammondeissa on puolensa, niin nyt on sanottava, että ollaan jo alkuperäistäkin monissa asioissa paljon paremmalla tasolla. Esim. säröt, percussiot ja vuotoäänet ovat erikseen monipuolisesti säädettäviä. Erilliset kaiut ja delayt sekä monipuolinen midi ovat niitä herkkuja, joita ei vanhuksista löydy. Myös sisäinen täysin uusittu Leslie-simulaattori on loistava. Ennen kaikkea, se soundi ja kokonaisuus on vähintäänkin sama, kuin parhaimmissa B3:ssa oli silloin kun ne olivat uusia."

-Heikki Ilmonen, Hammondien kanssa koko ikänsä vääntänyt ammattilainen

 

Kun halutaan kaksimanuaalinen urku, niin ylämanuaalista poistetaan puupäädyt ja se pudotetaan alamanuaaliin. Osat ruuvataan yhteen, roudaus helpottuu johtojen ollessa aina paikoillaan. XK-5 myös kauko-ohjaa virrat Leslielle 11 pinnisellä liittimellä ja moninapakaapelilla.

 

Let’s face it: Moving and maintaining an antique Hammond will only become more difficult as time passes. Of course we have tons of respect for anyone who does, but to get all of the sound with none of the hassle, let’s learn why the XK-5 is destined to become The New Original™ 

NEW PATENT-PENDING TECHNOLOGIES

Hybrid Multiple Key Contact System: On classic Hammonds (and in our current, full-sized New B-3 Mk. II family), pressing a key closes nine mechanical contacts: one for each drawbar. Your ears usually hear the multiple harmonics as one note. Depress a key slowly, however, and you can hear the harmonics come in at slightly different times. Normal playing created a subtle “slop” between otherwise crisp attacks, and the more drawbars you pull out, the more of an almost subliminal but chewy and soulful character it impacts to the sound. One perhaps feels this more than hears it, but seasoned players certainly notice its absence.

You can’t accomplish this with a single MIDI note-on, which is what most of today’s organ and synth key actions use. In the XK-5, we use three mechanical contacts at different points in the keys’ travel. Each of these in turn triggers three virtual contacts, giving you separate “note on” connections for every drawbar frequency in the same manner as the original nine-contact electro-mechanical Hammond® organs. The result is a fingers-to-music connection that perfectly duplicates sitting at a vintage B while saving on weight and cost. Plus, the time-spread between these “note ons” is programmable, as is the order in which you hear the harmonics speak. And since the contacts all receive and transmit MIDI note data, you can capture every harmonic nuance of your performance in your DAW program of choice—to which you can directly connect the XK-5 via USB.

“The first thing that struck me was the action. I played a big Larry Young chord, and stretching and hitting that top note, it didn’t quite trigger all the way until I really pressed on it. That’s exactly what a B-3 does and what I expect as a B-3 player.”

– Jim Alfredson (Organissimo, Janiva Magness)

Completely Redesigned Key-bed: The XK-5’s keyboard action is built in-house, not sourced from a third-party manufacturer. We designed it to duplicate the heft, bounce, and key dip of a “new old stock” and well-maintained B-3™: No springy synth keys allowed! Master Hammond players who tested early prototypes confirmed that nothing comes closer to the feel and response they expect. Of course it has the “waterfall” key fronts critical to Hammond playing techniques such as palm slides. Play the XK-5 alongside any other modern organ and we’re convinced you’ll find the difference stunning.

“The feel of the keyboard, it kicks back at you. It’s not dead, and it feels good. See, that’s what we’re looking for!”

– Dr. Lonnie Smith, legendary jazz organist 

“It’s like the feel of what I imagine it must have been like in 1968
when you put your hands on a brand new one. It feels great.”

– Chuck Leavell

All-New Sound Engine: The XK-5 employs new proprietary technology to recreate Hammond’s storied tone wheel generator with unprecedented accuracy and flexibility. Tone wheels were spinning discs on shafts, each with its own pickup pointing at the edge. The pattern of “teeth” cut into the edge of the wheel and its rotational speed determined the pitch. Modeling and sampling are combined in an exclusive process to capture the frequencies of all 91 tone wheels found in the original organs, not to mention other important sonic details such as key click, harmonic percussion, vibrato-chorus, and more.

Tone wheel generators have become like rare violins or classic cars: Even though Hammond originally calibrated all instruments that left the factory to sound identical, no two are exactly alike after decades of use. So we’ve extended the programmability of both the overall generator characteristics (such as leakage and cross-talk between pickups) and individual tone wheel behavior (such as the purity of the sine wave) to almost ludicrous depths. In addition to letting you perfectly duplicate different conditions of Hammonds—from showroom-new to road-abused if that’s what you’re going for—there’s the ability to recreate individual organs right down to the model, year, and serial number! Presets will capture the exact tonal qualities of famous artists’ instruments, from jazz great Dr. Lonnie Smith to Chuck Leavell (The Rolling Stones) to Gregg Rolie (Santana, Journey) and more.

Virtual Matching Transformer: An often overlooked subtlety of the Hammond sound was that the tone wheels generated tiny voltages that needed to be stepped up, and you could be “drawing on” some of the same wheels at the same time by playing similar notes with similar drawbar settings on both manuals. All signals from the upper, lower, and pedal manuals passed through a matching transformer that was intended to even things out before the signal moved on to the preamp and vibrato-chorus scanner. The transformer—a piece of iron with a coil wrapped around it—could “remember” some of its saturation based on how hard it had been working previously, thus affecting new notes played. Physicists call this hysteresis. Musically speaking, it affects how much “volume robbing” you hear and adds to what Hammond aficionados think of as the “breathing” quality of the organ. (The phenomenon is similar to why some recording engineers like transformer-equipped microphones and/or preamps for certain sounds.) In the XK-5, the matching transformer and its place in the signal chain is modeled precisely, and the saturation and hysteresis amounts are adjustable from barely-there to over-the-top. Like we said, we’re closing the final few millimeters of the realism gap.

 

 

MORE FEATURES

We didn’t stop there. Just a few of the XK-5’s more than 50 innovations and features include:
• Four full sets of Harmonic Drawbars plus pedal drawbars, just like on original Hammond console organs including the B-3
• 12 additional virtual tone wheels are devoted to harmonically complex pedal tones (i.e. more than just 16′ and 8′ sine waves), as found on Hammonds beginning in 1945.
• Custom tone wheel profiles available via download.
• Our best-ever Digital Leslie effect. Anything else is just a “rotary simulator.”
• Continuously variable Digital Leslie speed if desired.
• Dedicated octave shift / transpose buttons.
• Improved DSP-based overdrive complemented by vacuum tube preamp.
• Improved vibrato-chorus.
• Dedicated on/off buttons and amount knobs for reverb, overdrive, and assignable multi-FX.
• Lower B drawbars can alternately control 9 MIDI CC messages for external gear.
• Left and right ¼” outs can be used at the same time as Leslie output, for running the XK-5 through a real Leslie in parallel to stationary speakers, a subwoofer, or house P.A.
• More key-triggering modes for pedal-to-lower coupler (Manual Bass function).
• Firmware updatable via USB flash drive or directly from computer.
• Crisp new OLED display is more readable under different lighting conditions.

Of course we’ve retained the things that made working with the XK-3C and our compact SK-series keyboards a joy. Hold any button and the first page of parameters most relevant to it comes up in the display—holding the Leslie speed button for Digital Leslie settings, for example. This saves you a ton of menu-diving when customizing your sounds. New patch-naming and copying features also make your housekeeping even easier.

 
 
Manuals  
Upper  and  Lower  73  notes  each  
(61  playing  keys  plus  12  Preset  
Keys)  
Square-­front  (“waterfall”-­style)  
New  mechanical  key-­bed  design
 
Pedal  (optional)  
13,  20-­note  spinet-­style  
25-­note  radiating  
Adjustable  Pedal  Sustain
Pedal  to  Lower  coupler  
Custom  Pedal  Registrations  (3  
Factory,  3  User)  
  
Split  
SPLIT  panel  control  
Assignable  split  point
  
Tone  Generator  
MTW™  (Modeled  Tone  Wheels)  
61-­note  polyphony  for  Manuals  
5-­note  polyphony  for  Pedals  
  
Virtual  Multi-­Contacts™  
Custom  Contacts  (3  Factory,  3  User)  
3  Physical  Contacts,  9  Assignable  
Virtual  Contacts  
Adjustable  Attack,  Release,  Decay  
  
Harmonic  Drawbars®  
5  sets  (4  Manuals,  1  Pedal)  
Upper  2  X  9  pitches  
Lower  2  X  9  pitches  
Pedal  2  pitches  
  
Drawbar  Voicing  
4  choices  for  Manuals  (A-­100,  B-­3,  
C-­3,  Mellow)  
4  choices  for  Pedals  (Normal,  Muted,  
Synth  1  &  2)  
  
Custom  Tone  Wheel  (CTW™)  
3  Factory,  3  User  for  A-­100,  B-­3,  C-­
3  &  Mellow  Drawbar  Voicings  
CTW’s  identified  by  model  and  
serial  number  
Adjustable  parameters  for  each  tone  
wheel  
Adjustable  Normal/Soft  Volume  
settings,  
Slow/Fast  Decay  rates,  Velocity,  Key  
Tracking,  
1’  Drawbar  Cancel  ON/OFF  
  
Vibrato  &  Chorus™  
Virtual  Scanner™  (3  settings)  
Adjustable  rate,  Vibrato/Chorus  Mix  
Vibrato  on  Pedal  ON/OFF  
  
Overdrive  
Tube/Solid  State  
Adjustable  drive  level  
  
Preset  Keys  
9  Presets  plus  Cancel  each  Manual  
2  Adjust  Presets  each  Manual  
9  programmable  Preset  Banks  
  
Patches  
100  User,  100  Factory  Patches  
Assignable  to  Preset  Keys  as  
Favorites  
Assignable  Patch  Load:  Drawbar  
registrations,  Drawbar  parameters,  
Internal  &  External  Zones,  Multi-­
Effects,  Reverb.  
  
Tube  Preamp  
12AU7/12AX7  Tubes  
Adjustable  Routing  &  Drive  Level  
  
MT™  Matching  Transformer  
Adjustable  drive  level,  Hysteresis,  
upper/lower/percussion  levels  
  
Multi-­Effects  
Tremolo,  Auto  Pan,  Wah-­Wah,  Ring  
Modulator,  Phaser,  Flanger,  Chorus,  
Delay.  Adjustable  parameters  for  
each  effect.  
  
Master  Equalizer  
Bass/Mid/Treble  panel  controls  
Adjustable  gain  &  center  frequency  
  
Programmable  Equalizer  
Bass,  Mid,  Treble  
Custom  Cabinets  (8  Preset,  8  User)  
Adjustable  Slow  &  Fast  Speeds,  Rise  
&  Fall  Times,  Horn/Drum/Subwoofer  
Volume  Balance,  Microphone  
Settings.  
  
Reverb  
ON/OFF  panel  control  
11  programs  
Leslie  On  Reverb  ON/OFF  
  
MIDI  
5  MIDI  Templates  
3  Keyboard  Channels  (Upper,  Lower,  
Pedals)  
6  External  Zones  (3  Upper,  2  Lower,  
1  Pedals)  
Assignable  MIDI  channels,  key  
range,  Program  Change,  Pan,  
Velocity  Curve,  Min/Max  Volume  
IN  1,  IN  2,  OUT  Connections  
  
Display  
OLED,  20  character,  2  line  
7  Control  Buttons  &  VALUE  Rotary  
Knob  
  
USB  
“A”  port  (“To  USB  Flash  Drive”)  
“B”  port  (“To  Host”)  
  
Tune/Transpose  
Transpose  +-­  6  semitones  
Fine  Tune  +-­  10  cents  
Octave  Up/Down  +-­  2  octaves  
  
H-­BUS®    
  Connector  
To  Pedals/Expression  Pedal  
  
Audio  Connections  
LINE  OUT  L/MONO  /  R  
Headphone  Jack  
  
11-­pin  Leslie®  Connector  
  
Other  Connections  
CONTROL  1,  CONTROL  2,  
8-­pin  DIN  (EXP-­100F  Expression  
Pedal)  

12  complex  tone  wheels  for  bottom  
12  pedal  tones.  
  
Touch-­Response  Percussion™  
Percussion  On,  Normal/Soft  Volume,  
Slow/Fast  Decay,  2nd  &  3rd  Harmonic  
Adjustable  center  frequency  
Hammond  Preamp  Tone  Control  
  
Leslie®  
STOP,  FAST,  BYPASS  panel  
controls.   AC  Input  
  
Dimensions    
46.8”  (W)  15.8”  (D)  4.7”  (H)  
Weight  34.6  lbs.  

 


Saatavilla


Tuotteen sivut: hammondsuzuki.com

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