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Hammond B-3 Classic. SUORAAN HYLLYSTÄ !! Kuuntele alla olevaista linkeistä Hollantilaisen Leon Kuijpersin soitantaa uudella B-3:sella ja hänet kannattaa muutenkin muistaa, on melkoinen soittaja. You Tubessa on lisää.
http://www.youtube.com/watch?v=q6CDRrMKMRg&feature=related
http://www.youtube.com/watch?v=iRN_90wJBvQ&feature=related
http://www.youtube.com/watch?v=6R7__52vkro&feature=related
http://www.youtube.com/watch?v=FBi6ZXa-q1M&feature=related
tai neljän herran: Paul Shafferin, Joey DeFrancescon, Doug Rileyn, ja Dr. Lonnie Smithin Hammond ilottelua cookin' it up on the.
http://www.youtube.com/watch?v=IdJeCjIwGFk
tai Rhoda Scottia
http://www.youtube.com/watch?v=ToRyZNWGH6o
tai Bruno Micheliä
http://www.youtube.com/watch?v=wbwZ7kweQAA&feature=related
sekä Tony Monacoa
http://www.b3monaco.com/index.htm
http://www.motherhenmusiced.com/
Meillä voit myös suorittaa vertailuja uuden ja vanhan välillä, molemmat vierekkäin kytkettynä samanlaisiin putkilesleihin (122)
KAIKKI ja vähän ylikin, mitä voit haaveilla maailman parhaasta urusta. Mekaaniset (avainnus) multikontaktit (kyllä "lotisee"), waterfall koskettimet kuten silloin ennen, 25 nuotin täysjalkio, penkki ym.ym.sis. hintaan.
Anteeksi nyt vaan vanhojen A-100, C3, B-3 ym. omistajat (itsekin kuulun vanhoihin puritanisteihin), mutta nyt vaan on jo pakko todeta (kun on korvat päässä), että uusin B-3 on täysin identtinen soundiltaan ja monin ominaisuuksin jopa alkuperäistä generaatoriurkuakin parempi ja siinä on myös portattomasti säädettävät säröt, monipuoliset kaiut, sustainit jalkioon ja mm. MIDI, eli voit ohjailla esim. ulkopuolisisa synamoduleita kätevästi, joka ei vanhoissa ole mahdollista, UUSI on aina uusi muutenkin, sillä jos/kun vanhuksen generaattori lopulta "tilttaa", niin sinulla on kallista romua sen jälkeen.
Onhan se toki hienoa todeta että vielä voidaan parastakin parantaa ja painoakin on roudareiden mieliksi nyt hivenen vähemmän.
KYSY HUIPPUTARJOUSTAMME, lopeta unelmoiminen JA TULE KOESOITTAMAAN MAAILMAN PARASTA URKUA MEILLE !!!
Jos sinulla on hyväkuntoinen Hammond niin voimme ottaa sen myös vaihdossa, tai auttaa sinua löytämään ostajan vanhalle urullesi.
Keyboards 61-61-25 61-61-25 Preset Key 12keys Mechanical Latch 12keys
Drawbars Swell (Upper) 9 pitches 2 sets 9 pitches 2 sets Great Pedal 2 pitches
Preset Memory Compact Flash-card Change
Direct Analog Keying Contact 10-Mechanical contacts +Rubber contacts for velocity
Polyphony Full Polyphony
Generator (Manual) 96-Digital Tone Wheels
Waveform Changeable by CFcard (Flash ROM) Fixed Generator (Pedal) VASE II Tone Wheels Vibrato/Chorus V1, V2, V3, C1, C2, C3 SWELL ON, GREAT ON V1, V2, V3, C1, C2, C3 SWELL ON, GREAT ON Leslie SLOW, STOP, FAST SLOW, FAST
Control OVERDRIVE REVERB Tone Control BASS, TREBLE Terminal LINE IN, LINE OUT 11p-LESLIE SOCKET HEADPHONE MIDI-OUT PHONO INPUT
Ext Memory Slot COMPACT FLASH CARD Display 20x2 digits LCD Weight 132kg Dimensions Closed, Open, with pedal/bench in cm : 123W x 126D x 117H
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| B-3 Classic |
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PURE Hammond
Since its introduction in 1955, the Hammond B-3 has become the essential performance tool for the worlds great keyboard players. The instantly recognisable B-3 sound is synonymous with the world of popular music, while no concert stage would seem complete without a B-3´s imposing wooden cabinet.
B-3 design specifications
Now, for the first time Hammond have exactly replicated the original B-3 design specifications with the introduction of the New B-3.
Sound generator system
The unique B-3 sound is reproduced by a revolutionary newly designed sound generator system (96DigitalToneWheels?), which recreates all of those wonderful idiosyncrasies of the Tone wheel generator which have eluded all previous digital systems.
Almost all comtemporary electronic musical instruments generate their sound "on the fly" : this means that wheneven a note is pressed, the computer figures out which key and sound-characteristics are needed and fetches this information out of a sample-table from the computers memory-banks.
This information is then processed to produce the actual sound. All of this happens within milli-seconds after any key is pressed.
In contrast to the above the New B-3 has an " all-note continuous " sound-generator: Inspired by the original Hammond tone-wheel generator in which 91 wheels are spinning continuously, the new generation Hammond is producing every single one of 96 sine-waves all the time...
Each of these 96 signals is mapped to the multi-contact system, which is again inspired on the original B-3 : whenever a key is pressed each of the 9 corresponding drawbar sine-waves is "un-blocked" by its individual contact...
The implications of this are staggering...
just think about it for a while...
think about the dynamics involved... instead of any note needing to be retrieved any generated after the key is pressed, the sound is actually already there, but is being detained by the key-contact, ready to spring out...
This explains the incredible dynamic sound experience that only Hammond creates... you will be impressed by the sheer massive pressure-wave that this instrument can release...
It all has to do with "continuous tone-generation "
Another aspect is the polyphony : over are the days of 16, 32, 64, 128-note polyphonie... over are the days of "note out-phasing"... every single drawbar-note is there... all the time...
Only Hammond, inspired on the longest tradition of drawbar-generation, can offer you the experience and emotion of such truely "virtual tone-wheel generation"...
Waterfall keys & harmonic drawbars
Two, 61 note, B-3 style, waterfall key, keyboards allow for the essential performance characteristics of the Hammond masters, especially effortless palm glissandos. While four complete sets of nine traditional harmonic drawbars and twenty four reverse colour key presets achieve total ease of set up.
Mechanical multi-contact system
It is by utilising several tone varying features that the B-3 performs so uniquely. Upper and lower pitch foldback subtly effects the overall sound, while, probably, the most important and interesting feature is the nine key contact system operating on each key. These contacts connect from each of the nine drawbar pitches and by pressing a key slowly each pitch level can be determined, high to low. This system created the earliest form of touch response for tone variance as well as expression. This mechanical contact system is also responsible for Hammond´s famous key click noise, an unintended feature that became an essential component of the B-3 character. The new B-3 incorporates a complete mechanical contact system, totally unique in a modern instrument.
B-3 expression curve
Sound dynamics are controlled by an exact copy of the original B-3 expression curve incorporated in the new instruments foot volume controller.
Knowledge
The challenge for many years has been to recreate the look, sound and feel of this legendary keyboard instrument. Only Hammond has the qualification and knowledge to accurately achieve this...
Now the B-3 is reborn... |
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Prestige
Performance
Quality
These are the terms that best describe the Hammond New B-3 Organ. This brochure is dedicated to all performers and lovers of organ music who demand nothing less than the finest in tonal reproduction whether their appreciation is for the classic masterpieces of Bach or the sparkling modern arrangements of contemporary composers and artists.
The Hammond New B-3 Organ offers conservative styling that lends gracious dignity to any décor. Notice the variety of timeless finishes carefully executed on choice hand selected woods. Observe the superb craftsmanship that represents the epitome of the cabinetmaker?s art.
You can literally "feel" the built-in quality that characterizes all of the craftsmanship that is represented in the Hammond New B-3 Organ- from the finish on the superb cabinet to the precious metal palladium contacts in the heart of this truly magnificent instrument.
Finally! Someone got it right!
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The Heart and Soul of the new B-3
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Digital Tone Wheel?
Sound Engine
and
Direct Analogue Keying?
The unique Hammond B-3 sound is reproduced by a revolutionary newly designed sound generator system (96 digital Tone Wheels). This new digital Tone Wheel generator perfectly generates pure tones that is tones which have no harmonic content of their own. This purity is essential in order to attain a desirable tonal cohesion between the fundamental and its harmonics when they are mixed through the use of the drawbars.
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 When a manual key is pressed, it closes 10 small electrical switch contacts. These contacts are connected to the digital Tone Wheel generator as well as to the drawbars. The positions of the drawbars (which are under control of the player) determine the intensities of the individual electrical currents corresponding to the fundamental and its harmonics. After leaving the drawbars, the various electrical currents are connected together (or "mixed") to form a single complex current which flows from the console to the Leslie cabinet where it is amplified to operate the speakers. The swell pedal varies the intensity (or volume) of this complex current before it reaches the speakers. |
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Pre-Set Combinations
 Each manual of the organ is equipped with nine pre-set combination keys. In addition, there are two sets of manually adjustable controls for each keyboard, thus making twenty-two different registrations which are instantly available, in addition, of course, to the many thousands of variations available by adjustment of the "harmonic drawbars". "VIBRATO AND CHORUS" has six possible positions corresponding to three degrees of vibrato and three degrees of vibrato chorus. The control pre-selects the extent of vibrato or vibrato chorus which will be obtained when either of the manual vibrato "ON/OFF" stops is used.
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Touch Response Percussion Control
 Percussion tones may be produced with a key-controlled "touch-response" in which desired notes of a melody may be accentuated. Now at your touch are effects like harp, chimes, orchestral bells, celeste, xylophone, marimba and a whole new world of fascinating percussion tones, which may be expressively introduced in a manner not found on any other organ.
Information Center
 The drawbars, control tablets and rotary controls affect the operations necessary for performance on the organ. Advanced features such as drawbar voice mode, pedal sustain length etc., are accessed using the Information Center. This allows the player to see and make changes. The Information Center Display and touch buttons are located on the left side of the instrument just below the stylish music-rest.
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The Selective Vibrato Stops
 The great and swell manuals are provided with separate "ON/OFF" vibrato controls in the form of tilting stop tablets. The rotating control "VIBRATO AND CHORUS" has six possible positions corresponding to three degrees of vibrato and three degrees of vibrato chorus. The control pre-selects the extent of vibrato or vibrato chorus which will be obtained when either of the manual vibrato "ON/OFF" stops is used.
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Rotary Control Panel
 The new Hammond B-3 has a Rotary Control Panel which is located underneath the manuals on the extreme left side. The organist can use these controls to adjust the sound of the instrument such as: master volume, bass, treble, reverb, overdrive etc.
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The Registration Principle
of the Hammond Organ
 This is the original, unique feature of the Hammond Organ which makes it completely different from any other organ. In the Hammond Organ, the basic elements of all musical tones (the fundamental and its harmonic overtones) are made separately available to the organist. Furthermore, their relative strengths may be adjusted at the will by the organist. The drawbars of the Hammond Organ are provided for this purpose. Flute-like tones, for instance, may be produced by a certain combination of these drawbars; string-like effects by another combination; or the effects of both strings and flutes by still a different combination of the same drawbars. Thus, the drawbars provide the tonal ingredients from which the various registrations may be compounded.
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MIDI
 The New Hammond B-3 has a MIDI OUT jack which is located underneath the organ on the left side. To control another MIDI instrument (synthesizer, sound module, etc.) from the organ, connect the MIDI OUT from the organ to the MIDI IN of the instrument you want to control.
Due to the unique tone-generation system of the New Hammond B-3, it does not implement MIDI IN or MIDI THRU.
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Multiple 
Speaker Connection
The New B-3 Hammond Organ has two 11-pin Leslie connectors, one marked MAIN and the other marked ECHO, making it easy to connect multiple Leslie Speakers to the organ.
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Speed Switch
 A Leslie Speed Switch is provided with the New B-3 Hammond Organ to allow control of the Leslie Speaker rotors from the organ console.
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Main/Echo Switch
 When two Leslie Speakers are connected to the organ, the optional Main/Echo switch will allow the sound to come from only the Main cabinet, only the Echo cabinet, or both cabinets simultaneously.
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The B-3 Classic... in comparison
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B-3 CLASSIC |
ORIGINAL B-3 |
| Keyboards |
61-61-25 |
61-61-25 |
| Preset Key |
12keys
Mechanical Latch |
12keys
Mechanical Latch |
| Drawbars |
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| Swell (Upper) |
9 pitches 2 sets |
9 pitches 2 sets |
| Great (Lower) |
9 pitches 2 sets |
9 pitches 2 sets |
| Pedal |
2 pitches |
2 pitches |
| Preset Memory |
Compact Flash-card |
Change by Preset Panel |
| Keying Method |
Direct Analog Keying? |
Direct Analog Keying |
| Contact |
10-Mechanical contacts
+Rubber contacts for velocity |
9-Mechanical contacts |
| Polyphony |
Full Polyphony |
Full Polyphony |
| Generator (Manual) |
96-Digital Tone Wheels? |
91-Tone Wheels |
| Gen. Waveform |
Changeable by CFcard
(Flash ROM) |
Fixed |
| Generator (Pedal) |
VASE II |
Tone Wheels |
| Vibrato/Chorus |
V1, V2, V3, C1, C2, C3
SWELL ON, GREAT ON |
V1, V2, V3, C1, C2, C3
SWELL ON, GREAT ON |
| Leslie |
SLOW, STOP, FAST |
SLOW, FAST |
| Control |
OVERDRIVE
REVERB |
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| Tone Control |
BASS, TREBLE |
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| Terminal |
LINE IN, LINE OUT
11p-LESLIE SOCKET
HEADPHONE
MIDI-OUT |
PHONO INPUT
6p-LESLIE SOCKET |
| Ext Memory Slot |
COMPACT FLASH CARD |
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| Display |
20x2 digits LCD |
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| Weight |
132 kg |
190 kg |
| Dimensions |
Closed, without pedal in cm :
123W x 73D x 97H
Open, with pedal/bench in cm :
123W x 126D x 117H |
Closed, without pedal in cm :
123W x 73D x 97H
Open, with pedal/bench in cm :
123W x 126D x 117H |
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You can download the images/files below by clicking on the image/icon...
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| Description |
Click |
| Demo B-3 Classic by Tony Monaco (Windows Media Player 7145KB) |
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Multiple CD-tracks "The Sounds Of Hammond"
- B-3 C-3 Demo Song1.mp3 6572KB
- B-3 C-3 Demo Song2.mp3 5195KB
- B-3 C-3 Demo Song3.mp3 4461KB
- XB-3M XC-3M Demo Song1.mp3 5292KB
- XB-3M XC-3M Demo Song2.mp3 4671KB
- XK-3 Demo Song1.mp3 2286KB
- XK-3 Demo Song2.mp3 1451KB
- A-305 910 Demo SOng1.mp3 3103KB
- A-305 910 Demo SOng2.mp3 2010KB
- 935 Demo Song1.mp3 2189KB
- 935 Demo Song2.mp3 1990KB
- XE Demo Song1.mp3 2299KB
- XE Demo Song2.mp3 1579KB
- XT XH Demo Song1.mp3 1034KB
(Zip-file 43,1Mb containing mp3-files) |
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5 CD-tracks "Gospel" played on Hammond :
- Down By The Riverside.mp3 1788KB
- Lux Aurumque.mp3 2838KB
- Roll, Jordan, Roll.mp3 2931KB
- Sing Me To Heaven.mp3 3478KB
- Wade in The Water.mp3 3016KB
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Kassalle
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